Category Archives: Films

Films

Only God Forgives Trailer

So Nicolas Winding Refn and Ryan Gosling are back at it. Here’s the red band trailer to Only God Forgives, slated to debut at Cannes this year. I have no idea why it’s red band, but who knows, maybe they’re afraid of the impact Gosling has on the audience.

Films

Every Woody Allen stammer, ever

In a tireless effort, spanning several months, good people at The Huffington Post, put together this complete compilation of Woody Allen stammers. Enjoy!

Films

PLURALITY – a sci-fi short

I want this to be a feature film.

Films

Kinetic Edinburgh

I love Scotland and I love this video. It’s most beautiful.

Kinetic Edinburgh from walid salhab on Vimeo.

Films

The simple things

It’s the simple things in life, really.

The pleasure of from Vitùc on Vimeo.

Films

“Rear Window” time-lapse

If you’ve ever seen Hitchock’s “Rear Window”, you will appreciate this video that stitches together the whole view from said rear window, displaying in a time-lapse, well, the whole film. It must have been painstaking work and as is the case so often, I can’t even begin to imagine the time that was put into this:

Films Reading

Tarzana, California

With “John Carter” in theatres right now (getting mediocre reviews, despite Michael Chabon being partly responsible for the script), you might be interested in this fact about the story’s creator, Edgar Rice Burroughs: the man didn’t just create the Mars epos, he’s also the inventor of Tarzan. So it’s only logical that with the wealth he amassed from his books, he built a farm and named it Tarzana. Said Tarzana is now a city in California (and judging by Google Maps’ satellite photography, people in Tarzana are quite partial to pools):

For more on Burroughs, Salon released a good piece on him today:

For occasional entertainment Burroughs read the early pulp magazines, especially All-Story. Named after the cheap newsprint upon which they were printed, the pulps supplied adventure and romantic fiction to the masses for half a century. By the 1920s and ’30s newsstands around the country would display the lurid and spicy covers of Weird Tales, the Shadow, Amazing Stories, True Confessions, Dime Detective, Astounding, and Black Mask. Pulp writers would include such important literary figures as H. P. Lovecraft, Robert E. Howard, Dashiell Hammett, Raymond Chandler, Robert A. Heinlein and scores of others. But in 1911 most of the writers weren’t of this caliber, and Burroughs was convinced he could write better adventure stories and maybe even make a living at it.

In fact he rather underestimated himself.

Films

Oscar Nominations

The Oscar nominations are out and I’m utterly underwhelmed. Here’s a link, these are the nominees for best picture:

The Artist
The Descendants
Extremely Loud and Incredibly Close
The Help
Hugo
Midnight in Paris
Moneyball
The Tree of Life
War Horse

I can’t believe they’ve actually nominated Tree of Life. As much as I sang praise for this film before seeing it, after seeing it I can’t believe how this convoluted, messy and evangelical piece of nonsense could get nominated. Well, maybe it’s time to admit that the Oscars are finally beyond relevant.

My choice for – at least – best picture and directing? Drive. Too bad it’s not nominated.

Art Films

What happened before The Scream

Ever wondered what came before Munch’s iconic Scream? Well, wonder no more:

Films

Guy Ritchie and his villains

Here’s a fun compilation of Guy Ritchie’s villains and such. Short but sweet:

Films

What is it like when your own film tanks?

Conan, a reimagination of the popular Schwarzenegger franchise, was released last week and tanked. One of the credited screenwriters, Sean Hood, was gracious enough to answer a question on Quora on what it’s like when your film flops at the boxoffice:

A movie’s opening day is analogous to a political election night. Although I’ve never worked in politics, I remember having similar feelings of disappointment and disillusionment when my candidate lost a presidential bid, so I imagine that working as a speechwriter or a fundraiser for the losing campaign would feel about the same as working on an unsuccessful film.

It’s insightful and honest. Read the whole thing here.

Art Films Travel

Move Eat Learn

Three guys, 44 days, 11 countries and a couple of cameras. The results are three wonderfully shot and edited, very short films. This one I like best:

See the other two after the jump. For more info on the project, visit the creator’s Vimeo page here.

read more »

Films Science

The Saddest Movie in the World

Since it seems to be film week (or month) here anyway, here’s something for you if you’re into film and science. It’s about the 1979 film The Champ, its rise to become the saddest movie in the world and about the study of negative emotions like sadness in general:

The story of how a mediocre movie became a good tool for scientists dates back to 1988, when Robert Levenson, a psychology professor at the University of California, Berkeley, and his graduate student, James Gross, started soliciting movie recommendations from colleagues, film critics, video store employees and movie buffs. They were trying to identify short film clips that could reliably elicit a strong emotional response in laboratory settings.

Read it, then come back here and watch the part of the film that’s so sad. Beware though, it may actually make you sad:

Films

10 Scenes that were left out of films for a reason

Here’s a comprehensive article about ten scenes that were fortunately left out of films.

I must admit, I quite like the Terminator 3 scene.

Films Music

Inception Dubstep Remix

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Everyone and their grandma loves Inception. Every hipster and their single-speeds love dubstep. Put it together and you get this, which’ll make 2:08 minutes of your life more enjoyable:



Films

Sean Bean Death Reel

Don’t worry, Sean Bean is still alive and kicking. But he seems to be doing a lot of dying in his films. Here’s a well-made Sean Bean death reel (which isn’t exactly for the faint of heart and contains quite a few spoilers):

Art Films

Broship of the Rings

What would LOTR look like if it was stripped of all the fantastic shenanigans? Well, like this:

It’s an ongoing project by artist Noelle Stevenson and really quite fun. Or should I say rad? Anyway, more about it here.

 

 

 

 

 

Films

Making the sound for Transformers

Not a big fan of the Transformers franchise (it’s toys, how the hell would that ever be scary? Ok, so Chucky was a doll, but that’s different – he’s ginger!), but anyway, here’s an interesting video about how they made the sounds for the latest installment “Dark of the moon”:

I just love watching professionals do what they do.

Films

X-Men First Class: D- for historical accuracy

The Guardian has a fun piece up about the historical accuracy of X-Men: First Class, which came out a couple of weeks ago:

His telepathic sidekick, Emma Frost (January Jones), kitted out in space-age white plastic minidresses anachronistically based on André Courrèges and Paco Rabanne designs from 1964, lures an American general into his lair. “I hear you blocked the proposition to reposition Jupiter missiles in Turkey,” Shaw says.

“You reposition missiles in Turkey, or anywhere that close to Russia, and you’re looking at war,” stutters the general. “Nuclear war.”

In reality, the US did position Jupiter missiles in Turkey, though not at the behest of an evil mutant supervillain – unless that’s how you’d describe the Pentagon.

Films

Showing a day in 80,000 clips

Director Kevin Macdonald had people send him clips, out of 80,000 of them he created a film that shows one day of, well, the world. The Guardian has a longish piece on the project (including readers questions):

To make the project truly global, we had to find a way to represent the developing world. So we walked into Jessops camera shop with £40,000 one day and asked how many decent HD cameras that would buy. About 400. These were set to widescreen and sent to around 40 countries. Various aid organisations distributed them among people in remote towns and villages. Each camera had two memory cards: one to send back to us, one for them to keep.

My biggest regret is that we didn’t send out fewer cameras – maybe 50. With them, we could have sent along film-makers who could have taught people how to use the equipment and, more crucially, how to make what we wanted. Too many contributions from the developing world showed a stiff interviewee reciting what he thought we (or local figures of authority) wanted. Naively, I hadn’t realised how alien not only the concept of a documentary is to a lot of people, but also the idea that your own opinions are worth sharing (a lesson we sometimes prayed could be learned by narcissistic, bedroom-bound western teenagers).

It’s a fascinating read, not just for film-aficionados.